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Cafe OTO is pleased to welcome back the Japanese duo of Minami Saeki (voice) and Taku Sugimoto (guitar) following a performance of material from their debut collaborative recording – Songs – at OTO last year. For this show they are joined by London-based, German cellist, Ute Kanngiesser for a series of one-off duo performances.
“This project is named Yū (幽) / phantom.
Yū is Japanese special sensitivity, it’s means like “faintly”, “fleeting”, “airy”, “vaguely”. It’s be understood by Japanese people as also “ghost”, “apparition”, “phantom”.
This performance depicts two Japanese goddesses, one phantom, and one modern woman, by dance of Misuzu and the music of Shin’ichi Isohata and Naoyo Yakushi.
Many of the origins of religion in all world were goddess faith. God or monster has the back and front faces that are intrinsic as same as humans (although I think originally God should not be such an existence..). Every existences have good and evil, and also there has sadness in the bottom of the heart. However, sometime the sadness might be become to mercy or hope. Music wander between reality and mythology with abstract, minimal sound, and Japan sensitivities etc… for realizing the true happiness in heart.” – Shin’ichi Isohata
The Daiwa Anglo-Japanese Foundation is delighted to host Hiroe Saeki’s first UK solo show.
Hiroe Saeki’s work inhabits a liminal zone on the edges of the perceivable: monochromatic explorations of the subject of beauty in nature, delicate drawings with a weightless quality, sparse compositions evoking traditional aesthetics. Like a photograph, the totality of the artwork and the detail are valued equally.
The void is inherent in her work, allowing the microscopic and macroscopic viewpoint to coexist. Thus her chosen tool is the pencil: ephemeral because it can be erased, fluid because it is undefined, emancipating because there is no outline to follow.
In this exhibition, she presents a new body of work with graphite and water. The powdered graphite travels through capillaries of water: settling where and when the water evaporates, to be absorbed by the land of paper. The resulting surfaces recall water-carved planetary landscapes.
Saeki’s practice evokes associations with biological or mineral forms, such as geological sediments. Exquisite, miniscule lines take us to the nano level of the cellular structure of organisms. Combined with the serendipitous nature of her new graphite process, they take on a sense of the cosmic. This new work coalesces her vision of the world into a yearning to interconnect with the universe at all its scales.
Monday – Friday 9.30AM – 5PM
Hiroe Saeki (b. 1978, Osaka) currently lives and works in Berlin. Notable exhibitions include: Abstract and Empathy, Pola Museum, Tokyo 2019; Visions of Exchange: Daimler Contemporary, Berlin 2018; It’s Our Permanent Collection!, Hara Museum of Contemporary Art, Tokyo 2016; Now Japan, Kunsthal KAdE, Amersfoort 2013 and the 242nd Summer Exhibition, Royal Academy of Arts, London 2010. Awarded Grants include: POLA Art Foundation Program of Overseas Study 2014; Daimler Foundation, Artist-in-residence Berlin 2010 and The VOCA Encouragement Prize in 2006. Collections: MoMA, New York; The Daimler Art Collection; Deutsche Bank; Doron Sebbag; Hara Museum of Contemporary Art, Tokyo; Miniature Museum (Netherlands); Toyota Art Collection; The UBS Art Collection.
Image credits: Untitled 2019, Pencil and graphite and acrylic and acrylic ink and Japanese ink on paper, 39x54cm © Hiroe Saeki
Minyo Crusaders rework traditional Japanese folk songs (minyō) with Latin, African and Caribbean rhythms to create some of the most infectious music anywhere between Latin America and Japan. The punchy and inventive arrangements of this ten-piece big band seamlessly blend Afro-Cuban and Caribbean rhythms with old Japanese minyōto create a compellingly modern sound. Since label Mais Um released the band’s debut album Echoes of Japan in April the acclaim has been universal.
The band’s sound could be described as having a retro Japanese feel influenced by a a hefty dose of worldwide music. Otemoyan, a well-known folk song from southern Kumamoto Prefecture about a young maiden marrying a man with a pockmarked face, is reshaped into a reggae track with dub sensibilities. Akita Nikata Bushi from northern Akita Prefecture takes its cue from Ethiopian funk, while Fukuoka Prefecture’s Tanko Bushi swings to the sound of boogaloo. All the while, however, minyō’s distinctive stylised form of singing is maintained, providing a sense of authenticity despite the melange of rhythms.
For more information visit: www.comono.co.uk/live/minyo-crusaders/
The Experience Japan Exhibition aims to introduce the growing range of study and research opportunities available in Japan.
This year,8 Japanese education institutions and several Japan-related organisations will be attending to provide information on degree programmes taught entirely in English, as well as on the research opportunities, summer courses and other options open to international students. There will also be a chance to find out about the variety of scholarships and research funding available to enable you to take advantage of these learning opportunities.
This year’s line-up of seminars will cover the basics about local life, as well as allow you to hear directly from individuals who have experienced studying or conducting research in Japan. Guest speakers will be delivering presentations that provide insights into Japanese language, as well as showcasing Japanese innovation. There will also be a special seminar on the ever-popular Japan Exchange and Teaching (JET) Programme.
So come along and find your way to Japan – the experience of a lifetime awaits!
Online registration is recommended but not required. Pre-register via the link below to receive a special gift on the day of the exhibition.
Experience Japan Exhibition Website