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The World Shakuhachi Festival 2018 brings together many of the world’s best performers of the shakuhachi, the Japanese bamboo flute, from all continents. It presents, at highest level, a broad cross-section of traditional and contemporary solo and ensemble music for shakuhachi. As an instrument, the shakuhachi is known by many people, but without being named or recognised. It has put in appearances in many film soundtracks, including the final Harry Potter films, and is on the other hand enjoyed by many because of its deeply meditative quality. The instrument is, however capable of a broad range of music, from quiet to energetic and stimulating, alone, and grouped with other instruments, from Japan and elsewhere. The broad spectrum of its music will appeal to music lovers from all walks of life and with all tastes, from traditional to modern, from meditative to ‘world music’.
The WSF2018 will offer an unique opportunity to experience the world of shakuhachi close up and in a variety not seen before in the UK or Europe. Our schedule is bursting with a wide range of concerts, workshops, lectures, talks, exhibitions, screenings and informal gatherings, bringing together around 40 top-level shakuhachi performers from Japan and another 40 from other countries to play and teach. Whether you are a seasoned shakuhachi professional, an enthusiastic hobbyist or simply interested in discovering new cultural and musical territory, WSF2018 is the place to be.
The Art of Gaman is a stunning new play. It was a finalist in the American Playwriting Foundation’s prestigious Relentless Award.
Tomomi, a young Japanese woman stands at the hull of a ship staring out across the water to her new American life in the years prior to the Hiroshima bombing. There are stars in her eyes and a crackling radio pulled to her chest as she drifts towards a country, and a future, that resists her arrival.
The Art of Gaman is an aching exploration of displacement and loss of cultural identity when you find yourself in a country that considers you an enemy. When forgetting your past is shameful, but remembering brings even greater pain, Tomomi must harness the strength to find beauty in the struggle and carve out a new life for herself and be true to who she really is.
The Art of Gaman was one of 6 plays shortlisted for the American Playwriting Foundation’s prestigious Relentless Award.
World Rugby Museum adult ticket £12.50. Concessions available.
Grimeborn Opera Festival
8pm 23rd August
3pm 24th August
8pm 24th August
Origami and music. A multi-media opera installation. Verity Lane‘s two-part project draws on her 10 years’ experience of living in Japan, exploring classical Japanese traditions with a uniquely avant-garde twist.
A brand-new performance project with music, stories and concept by Verity Lane, Origami Soundscapes: Flower, Bird, Wind & Moon explores ancient symbolism and Japanese birdsong, featuring a large-scale origami performance by Coco Sato, percussion, shakuhachi and storytelling.
The Crane reimagines a Japanese folk story about a magical crane that takes human form, set around Hokkaido’s Otowa Bridge. This mystical opera installation explores traditional Japanese aesthetics through a blend of Noh theatre conventions, traditional and contemporary dance, avant-garde music and animation.
Sung in English and Japanese without surtitles.
Music and Libretto (English and Japanese) by Verity Lane
Supported by Great Britain Sasakawa Foundation
Verity Lane/music, words, creative directer
Coco Sato/Giant Origami
Born in Tottenham and spending nearly a decade in Japan, visual artist, composer and writer Verity Lane specialises in creating highly visual performance installations for traditional Japanese instruments. and beyond.
Her recent multi-media projects include A Thousand Bamboo in a Dancing Wind (performance installation for 300 shakuhachi, 2 dancers, projection and performance poetry, commissioned by The World Shakuhachi Festival, held at Goldsmiths, 2018), Yugenism: Animated Soundscapes of the Japanese Sublime (supported by Great Britain Sasakawa Foundation and Daiwa Anglo-Japanese Foundation), and Japanese Sandscapes: The Tale of Mt Fuji where she worked with artists including Ko Ishikawa (sho/Reigakusha), Etsuko Takezawa (koto/shamisen) and Kaho Aso (traditional Japanese dance/kotsuzumi). Both projects saw Lane launch herself within London’s avant garde music scene, selling out venues across London.
Coco Sato is an award-winning Japanese artist based in the UK. Her work uses origami to change the way people see the world.
Mirei Yazawa is a performance artist based in London.
Beibei Wang is a genre defying percussionist based in London.
Tomoko Komura is a London based performer from Japan, trained at the London International School of Performing Arts with an MFA in Lecoq-based Actor-Created Theatre (2006). She has performed and toured in shows by award-winning theatre companies such as Theatre Ad Infinitum (Ballad of the Burning Star), Theatre Témoin (Jukai) and Out of Chaos (Out of Chaos).
Kiku Day is a shakuhachi player based in Denmark.
Hester Dart is a London based contralto and graduate from the University of Leeds. They study with Prof. Neil Baker and are currently finishing their second year at the Morley College Opera School. Hester is particularly interested in promoting the work of
LGBTQ+ composers and musicians. They would like to contribute towards a more inclusive and accessible environment within classical music and opera.
Rowan O’Brien is a renowned animator and 3D artist from the West Coast of Ireland. He mixes sketches, objects, computer animation, and video in his work. He has screened and exhibited work across Europe, South Korea and Japan, where he lived and studied Japanese fabric craft known as oshie.