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NORIYUKI MISAWA Solo Exhibition
-A Japanese Shoemaker’s Crazy Creations-
Dates: 3rd – 7th December 2018
Late Opening: Thursday 6th December 11:00 – 20:00 (Drinks will be served from
17:00, RSVP https://bit.ly/2Rw6Igi)
Noriyuki Misawa is one of a new generation of bespoke luxury shoemakers from Japan. Tokyo based, his shoes are favoured by an international clientele, including the likes of Spike Lee and Park Chan Wook. Noriyuki Misawa has also become a selected shoe-maker for the Japanese Imperial Household: an extremely rare honour for someone so young. In addition to custom wearable shoes, Noriyuki Misawa also makes non-wearables, such as avant-garde, sculptural pieces.
“I was largely captivated by the functional ‘formative beauty’ rather than the utility of shoes. I strive to continuously evolve shoes as an art with both my skills and my ideas. In the long journey seeking out the best materials from everything around me, I became strangely attached to abandoned things. From this was born the idea to create shoes with iron scrap. The process to impregnate corrosion in leather is very difficult. Simply making the basic materials took a good deal of time and necessitated the advice of specialists. The result is perhaps the world’s first shoes with corrosion processing. I am very happy to unveil this work at my solo-exhibition in London.”
2010 Germany, International Efficiency Contest of Shoemakers ‘Gold medal’ and ‘Honour prize’, two awards.
2015 The 33rd Japan leather crafts exhibition ‘Culture, Sports, Science and Technology Minister Award’
2013 Japan leather crafts association member
2014 Solo exhibition, Arai Gallery, Tokyo (Japan)
2015 Invited to a shoemaking school in New York as a guest instructor
2017 Exhibition at the InterContinental Carlton Cannes, coupled with the Cannes Film Festival
2017 Solo exhibition in Chelsea, New York City
2018 Becomes a special lecturer at TaF.tc, fashion school in Singapore
2018 Solo Exhibition, Asakusa Culture Tourist Information Centre, Tokyo (Japan)
(THU till 20:00 exceptionally)
Vintage Kimono Dealer Furuki Yo-Kimono and Japanese Folk craft shop Bungu Store, two of London market traders from Japan both have very much love and respect for authentic Japanese handwork. They are presenting 3 days pop-up shop just before Christmas! You’ll find a variety of goods inspired by Japanese grandmas’ closet & drawers, and grandpas’ old workshop …
[ITEMS] VINTAGE KIMONO, FOLKWEAR & TEXTILES, HANDCRACTED PAPER & CARDS. KOKESHI DOLLS, LANTERN, MASKS, and more..
DATA: Fri 21st Dec; 13-19.00 Sat 22nd & Sun 23rd Dec; 11-19.00
Vintage Japanese kimono dealer Sonoe Sugawara handpicks circa 1920-60‘s pre & post war / art-deco period kimono, folk & workwear and textiles. She has become a source for Western kimono lovers including designers of some of the world’s leading fashion brands and film industries. On occasion her stall is in the Spitalfields antique market on Thursdays.
(Find more @furukiyokimonovintage on instagram.com or Furuki Yo-Kimono on Facebook.com )
Japanese Artist Ouka Ueno has honed her expertise in using and sourcing Japanese art materials and tools for many years. After her passion for Folk Arts and Folk Tales dragged her into the MINGEI (Japanese Folk Art) world, she started to collect items which have more cultural and traditional meaning directly from artisans and introduced them to her London stall in Broadway Market every Saturday.
(Find more information on bungustore.com or @bungustore on instagram.com )
As the Japanese taiko drumming troupe make their way back to London, they bring with them the Odaiko drums. These traditional drums, used in Shinto rituals, weigh over half a tonne each, and require exceptional skill and physicality to produce each floor-shaking note.
Dedicated to their art, the Yamato drummers train ferociously. On stage, they display a staggering strength, using their entire bodies to play and share with their audiences an intense passion that comes out in their pounding, high-energy and thrillingly thunderous performances.
“Primal, exhilarating; you want to do it too”
THE TIMES on Chousensha – The Challengers
The Daiwa Anglo-Japanese Foundation is delighted to introduce the unique works of the acclaimed Japanese artist Haruo Mitsuta to the UK public.
Mitsuta is the only contemporary artist who makes Jizai Okimono (“articulated animals”) – flexible animal figures made from metal pieces, which can replicate the movements of the original animals. Originally they were made by armourers in the late Edo and the Meiji period.
Jizai Okimono have gained some recognition within Japan in recent years, but still belong to a very minor area of traditional Japanese metallic handicrafts. The vast majority of these items were sold abroad, so this exceptional form of art never had the chance to develop its roots within Japan, where it originated. Its presence may have been long lost in the Japanese art scene, but these objects have been collected and cherished by many people outside Japan.
Mitsuta will be showcasing some of his most impressive and startlingly realistic pieces in this exhibition.
It is 1860, in the northern Japanese island of Hokkaido. Othello is an Ainu, one of the indigenous people of northern Japan. He falls in love with a Japanese woman and is betrayed by a friend (Iago) of mixed Ainu and Japanese heritage.
Lies, manipulation and discrimination are the steadfast roots of jealousy in this epic performance of Shakespeare’s classic tragedy.
Ainu Othello is adapted by Kazumi Shimodate, Artistic Director of The Shakespeare Company Japan.
Co-directed by Kazumi Shimodate and Ainu theatre director Debo Akibe, this spectacular production has been staged in Sendai, Tokyo, and Sapporo, opening powerful discussions about discrimination faced by the Ainu, and the prospects for new relationships in the modern era. Each performance will be preceded by a presentation from the Dance Group Piricap.
Ainu Othello is a rare opportunity to see how Shakespeare remains a contemporary chronicler of human prejudices in another part of the globe.
Performed in Japanese
Looking to experience something new in 2019? Why not try teaching English in Japan?
Gaba Corporation is the leading one-to-one English language school in Japan, with 44 locations spread across the major cities. Instructors have the benefit of a flexible schedule which they design monthly, with no minimum or maximum number of lessons needing to be taught each month. Our clients are motivated adults with varying goals and interests, and there is a large focus on development for Instructors in the form of different workshops and mentorship. Career opportunities are also available. Teaching English in Japan with Gaba is a great opportunity to live in the exciting culture of Japan and gain some valuable professional experience at the same time.
We are looking for applicants who possess the following:
• Solid people skills
• Good command of the English language
• Ability to work independently
• Desire to live and work in Japan
• TEFL/ TESOL certification or ESL experience preferred
Testimonials from current instructors available to watch at our website.
If you are living in or near any of the following locations, please come along to one of our Information Seminars in August 2019 to meet a recruiter and learn more about Gaba:
• Manchester – August 8th (evening)
• London – August 10th (daytime)
If you are not able to attend our Recruiting Event, you may still apply for a position to come to Japan to teach with GABA through our website.
Grimeborn Opera Festival
8pm 23rd August
3pm 24th August
8pm 24th August
Origami and music. A multi-media opera installation. Verity Lane‘s two-part project draws on her 10 years’ experience of living in Japan, exploring classical Japanese traditions with a uniquely avant-garde twist.
A brand-new performance project with music, stories and concept by Verity Lane, Origami Soundscapes: Flower, Bird, Wind & Moon explores ancient symbolism and Japanese birdsong, featuring a large-scale origami performance by Coco Sato, percussion, shakuhachi and storytelling.
The Crane reimagines a Japanese folk story about a magical crane that takes human form, set around Hokkaido’s Otowa Bridge. This mystical opera installation explores traditional Japanese aesthetics through a blend of Noh theatre conventions, traditional and contemporary dance, avant-garde music and animation.
Sung in English and Japanese without surtitles.
Music and Libretto (English and Japanese) by Verity Lane
Supported by Great Britain Sasakawa Foundation
Verity Lane/music, words, creative directer
Coco Sato/Giant Origami
Born in Tottenham and spending nearly a decade in Japan, visual artist, composer and writer Verity Lane specialises in creating highly visual performance installations for traditional Japanese instruments. and beyond.
Her recent multi-media projects include A Thousand Bamboo in a Dancing Wind (performance installation for 300 shakuhachi, 2 dancers, projection and performance poetry, commissioned by The World Shakuhachi Festival, held at Goldsmiths, 2018), Yugenism: Animated Soundscapes of the Japanese Sublime (supported by Great Britain Sasakawa Foundation and Daiwa Anglo-Japanese Foundation), and Japanese Sandscapes: The Tale of Mt Fuji where she worked with artists including Ko Ishikawa (sho/Reigakusha), Etsuko Takezawa (koto/shamisen) and Kaho Aso (traditional Japanese dance/kotsuzumi). Both projects saw Lane launch herself within London’s avant garde music scene, selling out venues across London.
Coco Sato is an award-winning Japanese artist based in the UK. Her work uses origami to change the way people see the world.
Mirei Yazawa is a performance artist based in London.
Beibei Wang is a genre defying percussionist based in London.
Tomoko Komura is a London based performer from Japan, trained at the London International School of Performing Arts with an MFA in Lecoq-based Actor-Created Theatre (2006). She has performed and toured in shows by award-winning theatre companies such as Theatre Ad Infinitum (Ballad of the Burning Star), Theatre Témoin (Jukai) and Out of Chaos (Out of Chaos).
Kiku Day is a shakuhachi player based in Denmark.
Hester Dart is a London based contralto and graduate from the University of Leeds. They study with Prof. Neil Baker and are currently finishing their second year at the Morley College Opera School. Hester is particularly interested in promoting the work of
LGBTQ+ composers and musicians. They would like to contribute towards a more inclusive and accessible environment within classical music and opera.
Rowan O’Brien is a renowned animator and 3D artist from the West Coast of Ireland. He mixes sketches, objects, computer animation, and video in his work. He has screened and exhibited work across Europe, South Korea and Japan, where he lived and studied Japanese fabric craft known as oshie.
London’s very own festival of Japanese culture – Japan Matsuri – returns on Sunday, 29 September 2019 in Trafalgar Square in the centre of the city. A regular fixture now in the London calendar, this free annual festival brings people together to enjoy Japanese food, music, dance, and activities for all the family.
The concept of the theme this year is “Future generations”.
Everything kicks off at 10.00am and runs through till 8.00pm. With two stages, there is plenty to see all day. The programme of stage performance for this year is still being finalised and will feature exciting new acts as well as the return of favourites from previous Matsuri.
Enjoy the atmosphere with Japanese festival food from the numerous stalls. Join in the fun in the family activities area with games and dressing in kimono. Try your hand at Japanese cartoons on the manga wall.
Japan Matsuri is organised jointly by the Japan Association, Japanese Chamber of Commerce and Industry, the Japan Society and Nippon Club, with support from the Embassy of Japan.