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Since storming the Fringe in the noughties Gamarjobat (pronounced Ga-ma-jo-bat) have become one of the few acts that can truly claim to be a global sensation, having performed in 36 countries, from Broadway to China, and racked up over 50 million views on YouTube. This year Ketch! (red mohican) and HIRO-PON (yellow mohican) are BACK and will be performing their West End Premier with a show packed full of their very best world-conquering fast-paced comedy. In the UK Gamarjobat have starred on ITV’s Tonight at the London Palladium, been twice winners of BBC’s BAFTA award-winning The Slammer and fronted Ketch! and HIRO-PON Get It On on BBC3.
The Art of Gaman is a stunning new play. It was a finalist in the American Playwriting Foundation’s prestigious Relentless Award.
Tomomi, a young Japanese woman stands at the hull of a ship staring out across the water to her new American life in the years prior to the Hiroshima bombing. There are stars in her eyes and a crackling radio pulled to her chest as she drifts towards a country, and a future, that resists her arrival.
The Art of Gaman is an aching exploration of displacement and loss of cultural identity when you find yourself in a country that considers you an enemy. When forgetting your past is shameful, but remembering brings even greater pain, Tomomi must harness the strength to find beauty in the struggle and carve out a new life for herself and be true to who she really is.
The Art of Gaman was one of 6 plays shortlisted for the American Playwriting Foundation’s prestigious Relentless Award.
How weak is macroeconomic theory? Japan has terrible macroeconomic numbers (by leading nation standards) yet a high quality of life. This contradiction drags macroeconomics, monetary policy, taxation, and politics under a spotlight. In this talk, Professor Michael Mainelli intends to draw on the work of his Long Finance movement, along with the work of Professor Richard Werner, and use the more interesting contradictions of Japan to show how much more we need to learn about fiat currencies, cryptocurrencies, trade, and tax in order to provide alternative visions of economic and fiscal (six letter word for tax) policies.
Professor Michael Mainelli FCCA FCSI(Hon) FBCS, Executive Chairman, Z/Yen Group
A qualified accountant, securities professional, computer specialist, and management consultant, educated at Harvard University and Trinity College Dublin, Michael gained his PhD at London School of Economics where he was also a Visiting Professor. He began his career as a research scientist, later becoming an accountancy-firm partner and a director of Ministry of Defence research. During a spell in merchant banking in 1994, he co-founded Z/Yen, the City of London’s leading commercial think-tank. He has led Z/Yen from creating smart ledgers (aka blockchains) through the Financial £aboratory, Taskforce 2000, Long Finance & the London Accord, Global Financial Centres Index, Global Green Finance Index, and Global Intellectual Property Index. He is an Alderman of the City of London, a non-executive director of two listed firms and a regulator, Emeritus Professor at Gresham College, Fellow of Goodenough College, and Master of the Worshipful Company of World Traders. His third book, The Price of Fish: A New Approach to Wicked Economics and Better Decisions, won the 2012 Independent Publisher Book Awards Finance, Investment & Economics Gold Prize.
Please let us know if you would like to take an optional tour of the Freemasons’ Hall at 5.15 for 5.30pm.
Host: Pauline Chakmakjian, Visit Kyoto Ambassador.
To reserve your place, please call the Japan Society office on 020 3075 1996, email email@example.com or submit the online booking form.
In association with The Japan Room
Lodge Room No 11
The Freemasons’ Hall
Great Queen Street
London WC2B 5AZ
Japan Society members: £9
World Rugby Museum adult ticket £12.50. Concessions available.
As the Japanese taiko drumming troupe make their way back to London, they bring with them the Odaiko drums. These traditional drums, used in Shinto rituals, weigh over half a tonne each, and require exceptional skill and physicality to produce each floor-shaking note.
Dedicated to their art, the Yamato drummers train ferociously. On stage, they display a staggering strength, using their entire bodies to play and share with their audiences an intense passion that comes out in their pounding, high-energy and thrillingly thunderous performances.
“Primal, exhilarating; you want to do it too”
THE TIMES on Chousensha – The Challengers
It is 1860, in the northern Japanese island of Hokkaido. Othello is an Ainu, one of the indigenous people of northern Japan. He falls in love with a Japanese woman and is betrayed by a friend (Iago) of mixed Ainu and Japanese heritage.
Lies, manipulation and discrimination are the steadfast roots of jealousy in this epic performance of Shakespeare’s classic tragedy.
Ainu Othello is adapted by Kazumi Shimodate, Artistic Director of The Shakespeare Company Japan.
Co-directed by Kazumi Shimodate and Ainu theatre director Debo Akibe, this spectacular production has been staged in Sendai, Tokyo, and Sapporo, opening powerful discussions about discrimination faced by the Ainu, and the prospects for new relationships in the modern era. Each performance will be preceded by a presentation from the Dance Group Piricap.
Ainu Othello is a rare opportunity to see how Shakespeare remains a contemporary chronicler of human prejudices in another part of the globe.
Performed in Japanese
Grimeborn Opera Festival
8pm 23rd August
3pm 24th August
8pm 24th August
Origami and music. A multi-media opera installation. Verity Lane‘s two-part project draws on her 10 years’ experience of living in Japan, exploring classical Japanese traditions with a uniquely avant-garde twist.
A brand-new performance project with music, stories and concept by Verity Lane, Origami Soundscapes: Flower, Bird, Wind & Moon explores ancient symbolism and Japanese birdsong, featuring a large-scale origami performance by Coco Sato, percussion, shakuhachi and storytelling.
The Crane reimagines a Japanese folk story about a magical crane that takes human form, set around Hokkaido’s Otowa Bridge. This mystical opera installation explores traditional Japanese aesthetics through a blend of Noh theatre conventions, traditional and contemporary dance, avant-garde music and animation.
Sung in English and Japanese without surtitles.
Music and Libretto (English and Japanese) by Verity Lane
Supported by Great Britain Sasakawa Foundation
Verity Lane/music, words, creative directer
Coco Sato/Giant Origami
Born in Tottenham and spending nearly a decade in Japan, visual artist, composer and writer Verity Lane specialises in creating highly visual performance installations for traditional Japanese instruments. and beyond.
Her recent multi-media projects include A Thousand Bamboo in a Dancing Wind (performance installation for 300 shakuhachi, 2 dancers, projection and performance poetry, commissioned by The World Shakuhachi Festival, held at Goldsmiths, 2018), Yugenism: Animated Soundscapes of the Japanese Sublime (supported by Great Britain Sasakawa Foundation and Daiwa Anglo-Japanese Foundation), and Japanese Sandscapes: The Tale of Mt Fuji where she worked with artists including Ko Ishikawa (sho/Reigakusha), Etsuko Takezawa (koto/shamisen) and Kaho Aso (traditional Japanese dance/kotsuzumi). Both projects saw Lane launch herself within London’s avant garde music scene, selling out venues across London.
Coco Sato is an award-winning Japanese artist based in the UK. Her work uses origami to change the way people see the world.
Mirei Yazawa is a performance artist based in London.
Beibei Wang is a genre defying percussionist based in London.
Tomoko Komura is a London based performer from Japan, trained at the London International School of Performing Arts with an MFA in Lecoq-based Actor-Created Theatre (2006). She has performed and toured in shows by award-winning theatre companies such as Theatre Ad Infinitum (Ballad of the Burning Star), Theatre Témoin (Jukai) and Out of Chaos (Out of Chaos).
Kiku Day is a shakuhachi player based in Denmark.
Hester Dart is a London based contralto and graduate from the University of Leeds. They study with Prof. Neil Baker and are currently finishing their second year at the Morley College Opera School. Hester is particularly interested in promoting the work of
LGBTQ+ composers and musicians. They would like to contribute towards a more inclusive and accessible environment within classical music and opera.
Rowan O’Brien is a renowned animator and 3D artist from the West Coast of Ireland. He mixes sketches, objects, computer animation, and video in his work. He has screened and exhibited work across Europe, South Korea and Japan, where he lived and studied Japanese fabric craft known as oshie.