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Kimono x Komono
きもの x こもの
by MIYABI & PETIT KIMONO
7-13 June 2018
The history of kimono, the national costume of Japan, dates back to ancient times, and techniques such as spinning a cocoon, dyeing and weaving have been passed on from time immemorial. Unfortunately nowadays kimonos are used only during special events.
MIYABI and PETIT KIMONO transformed, stitch by stitch, the kimonos that belonged to their ancestors generation after generation into small cute objects and mini-kimono, inspired by Japanese seasons, Japanese food and Japanese traditions.
They have successfully exhibited in Japan and in Paris, and this is their first solo exhibition in the UK.
ABOUT MIYABI (Masako Ishihara・mother)
She has been teaching for 35 years, as a ‘kimono coordinator’, kimono-making techniques, kimono tailoring and classes on how to put a kimono on.
MIYABI decided to use the kimono and Japanese fabrics that she had in a drawer, in order to introduce a piece of Japanese tradition to the world.
ABOUT PETIT KIMONO (Tazuko Ishihara・daughter)
Since she was little, she has always been surrounded by kimono and silk fabrics. She can combine different colours to make miniature ‘kawaii’ (cute) Japanese objects.
OPENING RECEPTION: Thursday 7th June 6pm – 8pm
Opening hours: Monday – Friday 11am – 7pm
Saturday (9 June only) 12pm – 6pm
Join us on the second Monday of each month for the Japan Society Book Club. The intention is simple: to explore the themes of the book, express personal opinions on the style and content, discuss how the book has changed (or not) in translation and to have a relaxed discussion with others who have similar interests.
There is no restriction on the nationality of the authors read, but books should be available in translation in both Japanese and English. The discussion is conducted mainly in English, but you can choose the language in which you read the book.
Visit the website to see which book will be the focus each month.
Please contact the Japan Society office on tel: 020 3075 1996 or email: email@example.com to book a place on any of our events. When emailing, please include the event title in the subject line.
Alternatively you can book online via our online booking form.
When the cultural organisation Japan Tide approached Leyden Gallery with the concept of an exhibition of promoting older Japanese women artists (all in their 70s) it was a perfect match as Leyden Gallery has for the last five years been building a reputation of supporting Women Artists, working with International Artists and also of being an intergenerational gallery space with a range of exciting events to match their exhibition programme.
She was born in 1944 in Tokyo, currently living and working in Shizuoka City. Nakamura engages “Kana letters” (Syllabic Japanese scripts) as a creatively rich art with themes of peace, environment, children, love and mountain Fuji. She has presented works in various countries around the world and received numerous awards including the 8th Beijing International Art Fair Gold Award. She is a member of Mainichishodo, a Japanese calligraphy association, a judge in Japan Calligraphy Art Foundation, a regular member of All Japan Sho Federation, a visiting professor at The Calligraphy Research Institute of China and a visiting professor at Thailand’s Silpakorn National University Art Center. In February 2017, the book “The World of Hosen NAKAMURA – Supervising Editor: Hermitage Museum Curator Aleksey Bogolyubov” was published.
Exhibition Date: 12th June(Tue) to 16th June (Sat)
16 June to 23 September 2018
Open Wednesday to Sunday, 10am – 5pm; free
Tatsuo Miyajima is one of Japan’s foremost contemporary artists. Through his work he explores the concept of time, incorporating original material made around the establishment of Greenwich Mean Time in 1884 with his trademark “Miyajima numbers”. For his latest work, Miyajima has collaborated with William Morris, using his iconic Bird fabric from 1878 to create a new work in the series.
An exhibition on the Story Lounge (first floor landing).
Supported by the Japan Foundation
A series of gigs featuring artists from Japanese underground scenes responsible for genre-defining music over the past 40 years.
From the ground breaking electronics of Yellow Magic Orchestra to the sonic arts of Ryoji Ikeda and quirky Pop of Mariah, these are artists that changed the face of music as we know it. Yet it isn’t culturally defining moments in American music, but Japanese underground scenes from which they’ve emerged.
‘SOU FUJIMOTO: FUTURES OF THE FUTURE’, is an exhibition held in collaboration with Tokyo’s TOTO GALLERY・MA. Seen for the first time in the UK, the exhibition explores the innovative works of one of Japan’s most influential contemporary architects. Fujimoto’s vision of the future is not a fully imagined set of assumptions but is to plant the seeds of inspiration and potential. This exhibition looks at not only current projects but also Fujimoto’s architectural experiments for the future asking the visitor to share in imagining a variety of futures of the future.
Accompanying the exhibition is a lecture by Sou Fujimoto on 12 June, at the Design Museum, entitled ‘Sou Fujimoto: Futures of the Future’, followed by a session in conversation with The Guardian’s architecture and design critic Oliver Wainwright.
In addition, Fujimoto also presents ‘Architecture is Everywhere’ which illustrates the concept of discovering architecture within the forms of everyday objects: the serendipity of finding numerous possibilities for new architecture.
Born in Hokkaido in 1971 and a graduate of the University of Tokyo, Department of Architecture, Sou Fujimoto established Sou Fujimoto Architects in 2000. Some of his most notable works include Serpentine Gallery Pavilion 2013, House NA (2011), Musashino Art University Museum & Library (2010), Final Wooden House (2008) and House N (2008).
In collaboration with TOTO GALLERY·MA, Tokyo and a part of the London Festival of Architecture
London Okinawa Sanshinkai is back at Spitalfields this summer for Okinawa Day!
This year we are celebrating the 10th anniversary of Okinawa Day with special guests from Japan xx
Join us to celebrate Okinawan classical & folk music, Eisa dancing, karate, food, drinks & much more!
When: Saturday 23th June 2018
Where: Spitalfields, London E1 6AA
Follow us on Facebook! https://www.facebook.com/okinawadayinlondon
10:00~ Stalls Opening
10:50~ Opening Speech: Mr. Hironobu Nara (JNTO)
11:00~ Opening Ceremony: Ryukyuan Classical “Kajadifu Bushi”
11:07~ Amami Music feat. Tamukai Miharu
11:30~ Okinawan Folk Music: “Champuru” Set
12:05~ Traditional Tea Ceremony & Ryukyuan Classical Music
12:25~ Tsugaru Shamisen feat. Ichikawa Hibiki
12:40~ Okinawan Music feat. Horiuchi Kanako
13:15~ Traditional “Eisa” Dancing
13:45~ Okinawan Karate & Kobudo
14:20~ Yaeyama Folk Music
14:45~ Miyako Folk Music feat. Yogi Masaki
15:10~ Ukulele Music
15:25~ Okinawan Karate & Kobudo
16:00~ Okinawan Folk Music: “Mo Ashibi” Set
16:30~ Amami Music feat. Tamukai Miharu
16:53~ Okinawan Music feat. Horiuchi Kanako
17:28~ Traditional “Eisa” Dancing & Grand Finale!
Thu.28th /June – Mon.16th /July 2018
Private view Thursday 28th / June 18:00 – 20:00 Please rsvp: https://bit.ly/2IvUPTo
*Stencil Workshop on Saturday 30th / June from 11:00 till 14:00
70-72 Old Street, London, EC1V 9AN
Tel: +44 (0)20 7637 1700
Opening hours: Mon – Fri. 11:00 – 19:00
Weekends by appointment only
sway-gallery.com instagram: swaygallerylondon
Printmaker Yoko Kataoka presents her textile work inspired by rural life in the Catalan woods, Spain. ”Uraraka” is a Japanese word with a dual meaning: a fine and peaceful day in Spring, or the clear state of a cloudless mind. Yoko hopes that her “Uraraka” works will brighten up your daily life with cheerful colours and feelings, and that her exhibition will be an opportunity for everyone to discover the Uraraka way of living.
Free event; booking essential
The calligrapher and artist Misuzu Kosaka has produced striking, highly original art works that have been incorporated into book designs, restaurant decors and commemorated major events. In this event, her calligraphy works will be introduced and interpreted by the critic Damian Flanagan. Misuzu will then give a demonstration of her dynamic calligraphy in action and invite participants to pick up a brush, splash the ink and attempt to create their own beautiful calligraphy.
Misuzu Kosaka, a Tottori native and daughter of a poetry-loving Shinto priest, studied under Saisui Ishibashi, a kanji calligraphy master, and Yuri Sato, a kana calligraphy master. Today she is a director and instructor at the Calligraphy Education Society of Japan. Misuzu has pioneered innovative ways of using calligraphy in modern artworks through solo exhibitions, charity exhibitions and by presiding over her own workshop.
Damian Flanagan is an award-winning author and translator who has published a number of books on Japanese literature. He has also written widely on Japanese politics, arts and society for publications including The Japan Times, the Asahi Shinbun, Newsweek and the Nihon Keizai Shinbun. Yukio Mishima is his latest book, published in October 2014. He lives in Manchester and Nishinomiya, Japan.
Following her residency at Camden Arts Centre in 2016, Yuko Mohri returns with a new installation that orchestrates relations between electromagnetic force-fields, patterns of light moving through water and a reconfigured Yamaha reed organ from 1934. Developed responsively to the architecture and surrounding environment of the galleries, Mohri’s audio-spatial composition reveals the interconnectedness of man-made and natural processes, inviting non-human agents and chance factors to determine the score.
In this new commission, error, improvisation and feedback figure in an acoustic environment that maps shifting relationships between material things and conceptual propositions. Music and sound are central to Mohri’s practice. Her involvement with the experimental music scene in Japan has included collaborations with Otomo Yoshihide and the internationally acclaimed composer, pianist and electronic musician Ryuichi Sakamoto. As part of Voluta, sound art pioneer Akio Suzuki will perform live in the gallery.
Please note Camden Arts Centre is closed on Mondays.
Supported by Arts Council Tokyo, the Great Britain Sasakawa Foundation, Terumo Foundation for Life Sciences and Arts and the Yuko Mohri Exhibition Circle
Yuko Mohri (b. 1980, Kanagawa, Japan) is an artist whose installations detect invisible and intangible forces such as magnetism, gravity and light. In 2015, Mohri received a grant from the Asian Cultural Council for a residency in New York. She has participated in a number of exhibitions both in Japan and abroad, including the 14th Biennale de Lyon 2017 (France), Kochi-Muziris Biennale 2016 (India) and the Yokohama Triennale 2014. Mohri is the Grand Prix winner of the Nissan Art Award 2015 and is also the recipient of Culture and Future Prize at the 65th Kanagawa Cultural Award in 2016 and the New Artist Award at the 67th Japanese Ministry of Education Award for Fine Arts in 2017.