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A series of gigs featuring artists from Japanese underground scenes responsible for genre-defining music over the past 40 years.
From the ground breaking electronics of Yellow Magic Orchestra to the sonic arts of Ryoji Ikeda and quirky Pop of Mariah, these are artists that changed the face of music as we know it. Yet it isn’t culturally defining moments in American music, but Japanese underground scenes from which they’ve emerged.
The #MeToo movement swiftly spread from America to the UK in October 2017, with thousands of women sharing their stories of sexual abuse or misconduct on social media. The movement’s impact spread beyond the internet, with prominent examples including allegations of sexual misconduct levelled at government figures, leading to the resignation of UK Defence Secretary Sir Michael Fallon, accusations of misconduct within the aid industry, and the President’s Club scandal.
Although initially slower to take off, the #MeToo movement has also gained momentum in Japan. The movement has given women a platform enabling their voices to be heard, leading to more women speaking out about sexual misconduct. As in the UK, members of the government have been implicated, most notably with the resignation of Junichi Fukuda, the top bureaucrat at the Ministry of Finance, after he was accused of sexual harassment by a journalist.
In this seminar, the impact of #MeToo will be discussed in relation to the UK and Japan. The speakers will outline the implications and effects the movement has had across each society and the extent to which it may impact government policies and legislation, as well as the challenges that the movement faces.
About the contributors
Sophie Walker is Leader of the Women’s Equality Party, Britain’s first feminist political party which campaigns for women’s rights. In 2016 she ran for London Mayor on a manifesto to close the city’s 23% pay gap and lack of affordable childcare, winning 1 in every 20 votes cast. In 2017 she contested the seat of the ‘men’s rights activist’ MP Philip Davies after he filibustered a bill to end violence against women and girls, and helped to halve his constituency majority. Sophie recently won 90% of the vote in the Party’s first leadership election. Previously a Reuters correspondent for 20 years, Sophie came to politics via disability campaigning and activism and is an ambassador for the National Autistic Society and for IncludeMEtoo.
Asako Osaki, Visiting Professor at Kwansei Gakuin University, School of Policy Studies, is a specialist in gender issues. She began her career at the United Nations Development Programme, focusing on the promotion of gender equality and women’s empowerment. Since returning to Tokyo, she has been active in mainstreaming gender in Japan’s development assistance policies and programmes, as well as in addressing domestic gender issues such as poverty and violence, working with the Government, NGOs and research institutions. At the APEC Women and Economy forum 2014, Osaki presented on the “Economic Empowerment of Women in the Post-Disaster Reconstruction Process”. She also participated in the 2016 W20 (G20 Women’s Forum) as part of the Government of Japan’s official delegation.
Shiori Ito is a freelance journalist, documentary film-maker and author of Black Box (2017). Her work is mainly distributed overseas, and has been shown on international media outlets such as Al Jazeera and Reuters. At the 2018 New York Festivals, an international media competition, Ito won two silver medals in the Social Issues and Sports Documentary categories. She also won the 7th Free Press Association Award Grand Prize in Japan for Black Box. This book is about her own investigation and experience of Japan’s sexual violence situation. Ito is currently working on a BBC documentary about sexual violence in Japan.
Dan Damon (Chair) is a BBC journalist and radio broadcaster who presents World Update for the BBC World Service. Damon joined the BBC in 1974 as a technical operator for radio news. His move into journalism took place in 1982 with a nightly phone-in on LBC. In 1988, he moved to Hungary with his camerawoman wife, Siân, to report on liberation and street protest in East Germany, Czechoslovakia, Romania, Albania and the former Soviet Union. Damon also reported from conflicts in Croatia and Bosnia, Baghdad during the first Gulf War, and Afghanistan. He then returned to the BBC in 1995 to work as a presenter and reporter for the BBC World Service and BBC Radio 4. In 2003 Damon became the main presenter of World Update on the BBC World Service.
Organised by the Daiwa Anglo-Japanese Foundation
13/14 Cornwall Terrace, Outer Circle (entrance facing Regent’s Park), London NW1 4QP
Free, booking essential.
On March 11 2011, a 9.0 magnitude earthquake hit the north-east coast of Japan, causing a massive tsunami. The scale of the damage was unprecedented. One of the key reconstruction activities has been supporting women’s economic empowerment. After disasters, women play a vital role in rehabilitating the household and the community, which is one strategic approach in post-disaster recovery and reconstruction efforts.
In this talk, Professor Asako Osaki, Visiting Professor at Kwansei Gakuin University, School of Policy Studies, and specialist on gender issue, will talk about good practices of economic empowerment of women in post-disaster reconstruction in Tohoku, Japan.
Daniel Morchain, Global Adviser on Climate Change Adaptation at OXFAM, who happened to be in Tokyo on March 11, 2011, will then present a wider perspective of climate adaptation and economic empowerment for vulnerable and marginalised communities and groups living in climate hotspots.
The event is organised in cooperation with the Institute for Risk & Disaster Reduction (IRDR) Centre for Gender and Disaster, UCL, and will be held at the Gustave Tuck Lecture Theatre, University College London.
A map of the campus is available here: https://www.ucl.ac.uk/maps/gustave-tuck-lt
Free, booking essential.
Anivian Promotions presents:
Crystal Lake live at Boston Music Room.
Japanese metal outfit Crystal Lake return to London on 4th July 2018 for a one off headline show.
Support comes from Napoleon, Carcer City, Of Virtue and The Royal
Wednesday 4th July 2018
Boston Music Room, London
14+ under 16’s must be accompanied by a paying adult.
£10 Advance // £15 On The Door
Presented by Gig Connection and Japanese English Meetup
Venue: The Water Rats, Kings Cross, London
A Music Battle between various genres by Japanese musicians to heat up the Summer!
Featuring Hibiki Ichikawa & DJ Takaki (Japanese Tsugaru-Shamisen & DJ collaboration), MC Issun Boshi & Hide Takemoto (rap & classical guitar collaboration), Four Seventh (Rock) and other special guests to be named later.
Tickets are £5 (+ booking fee) here on Eventbrite and £7 on the door (cash only).
18+ only event
Be drawn into the faraway world of The Women of Ishikawa. It is a selection of strange, hilarious, and tragic folk stories from the mountains of Ishikawa, brought over from Japan and performed by Doubtful Sound. The show is in a mix of Kaga-ben (the local dialect) and English, and the stories are sprinkled with traditional folk songs from the SOAS Min’yo Group. The tales performed in Japanese have English subtitles.
The performance at the Daiwa Foundation includes a ghost who nurses babies, girls falling asleep on the shoulder of a monk, a collapsing cave, a mochi-fight, a potato digger, uncomfortably welcoming guests, a snake swordsmith, the queen of thieves, a lord who tells terrible jokes, an elderly lady under the floor, a young woman murdered by the sun, and a basket of bees. The show will include a Q&A session, providing a chance to ask the director, dramaturg, and musicians about the tales and songs.
About the contributors
Doubtful Sound is a bilingual theatre company who research, translate, and perform traditional stories and folktales from far flung areas of Japan. The group was formed in Tokyo in 2012 and have since performed the tales in ancient temples, Japanese gardens, pubs, over rivers, at festivals, and occasionally in theatres. Scenes are performed in Japanese and English with the Japanese scenes often in the local dialect of the area.
SOAS Min’yo Group
The SOAS Min’yo Group are a largely amateur bunch of Japanese folk song (min’yo) devotees who meet regularly at SOAS, University of London, to practice singing, instruments and some dancing. Launched in 2012 by David Hughes, a Japanese music specialist at SOAS, its members are of various nationalities, including Japanese. The Group have performed at many events around the UK and abroad.
For further information, see www.facebook.com/SOASMinyo, or email David at firstname.lastname@example.org.
No booking required – just turn up on the day!
An afternoon of Japanese live music, family activities and Japanese food to celebrate the regeneration of the Japanese garden in Hammersmith Park! Expect taiko drumming, ramen, and family friendly activities such as origami and calligraphy, alongside much more! Co-organised by the Japan Society and the Embassy of Japan.
The day will end with two very special performances by contemporary Japanese artists Ichi and Hatis Noit. We hope you can join us for what is bound to be a fantastic summer celebration of all things Japanese!
Why we’re celebrating
Hammersmith Park is all that remains of the 1910 Japan-British Exhibition in White City, but few know it is a Japanese garden. Now an avenue of stone lanterns and a wooden entrance gate are being installed to celebrate the park’s Japanese origins.
To mark the event, Japan Society, together with the Embassy of Japan and the Friends of Hammersmith Park, are hosting an afternoon activities and music. Children and adults alike can make their own Japanese lantern to take home, learn to write their name in Japanese, try on a kimono, fold some origami, and even meet Hello Kitty herself!! That’s right – Hello Kitty will be making a personal appearance at the celebrations! And if all the excitement makes you hungry, you’ll be able to sample delicious Japanese street food at the Japan centre food stalls.
A wide range of Japanese traditional and contemporary music will fill the garden all afternoon, from the guitar-like shamisen, to taiko drums, concluding with performances by two exciting Japanese musicians. ICHI, takes the concept of the one man band to entirely new heights with his homemade instruments and eclectic, fun sound, while Hokkaido-born Hatis Noit’s mesmerising vocals draw on musical traditions from Japanese court music to opera, and Buddhist chanting to pop.
The World Shakuhachi Festival 2018 brings together many of the world’s best performers of the shakuhachi, the Japanese bamboo flute, from all continents. It presents, at highest level, a broad cross-section of traditional and contemporary solo and ensemble music for shakuhachi. As an instrument, the shakuhachi is known by many people, but without being named or recognised. It has put in appearances in many film soundtracks, including the final Harry Potter films, and is on the other hand enjoyed by many because of its deeply meditative quality. The instrument is, however capable of a broad range of music, from quiet to energetic and stimulating, alone, and grouped with other instruments, from Japan and elsewhere. The broad spectrum of its music will appeal to music lovers from all walks of life and with all tastes, from traditional to modern, from meditative to ‘world music’.
The WSF2018 will offer an unique opportunity to experience the world of shakuhachi close up and in a variety not seen before in the UK or Europe. Our schedule is bursting with a wide range of concerts, workshops, lectures, talks, exhibitions, screenings and informal gatherings, bringing together around 40 top-level shakuhachi performers from Japan and another 40 from other countries to play and teach. Whether you are a seasoned shakuhachi professional, an enthusiastic hobbyist or simply interested in discovering new cultural and musical territory, WSF2018 is the place to be.
A floor strewn with beer cans, bits of scrap metal, ceramic bowls, curious, miscellaneous electronics and wires: a collection of sundry things to make sound. Tetsuya Umeda, Dirty Electronics and Tim Shaw create a series of performance-installations that embrace ‘working in public’. Objects and things are explored in situ, in time, in memory. There is a prioritisation of sound. It is only through the dismantling and analyzing of things that we may understand their structure…making and unmaking become a processual part of performance. This unique collaboration focuses on performing in ‘each other spaces’; and how prototypic, extended electronic circuits and technological processes may intersect with materials and physical objects within a space.