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The Daiwa Anglo-Japanese Foundation is delighted to introduce the unique works of the acclaimed Japanese artist Haruo Mitsuta to the UK public.
Mitsuta is the only contemporary artist who makes Jizai Okimono (“articulated animals”) – flexible animal figures made from metal pieces, which can replicate the movements of the original animals. Originally they were made by armourers in the late Edo and the Meiji period.
Jizai Okimono have gained some recognition within Japan in recent years, but still belong to a very minor area of traditional Japanese metallic handicrafts. The vast majority of these items were sold abroad, so this exceptional form of art never had the chance to develop its roots within Japan, where it originated. Its presence may have been long lost in the Japanese art scene, but these objects have been collected and cherished by many people outside Japan.
Mitsuta will be showcasing some of his most impressive and startlingly realistic pieces in this exhibition.
BUTOH RESIDENCY offers three days of live performances, films and a workshop that see Japanese and European musicians, dancers and artists working together to advance the global recognition of Butoh – both as a uniquely Japanese art form and as a vibrant international platform for communicating in or beyond all languages. Collaborating artists include pianist and vocalist Aya Ogawa and dancer Mushimaru Fujieda from Japan; Butoh-Techno from Poland, French electronic musician Pascal Savy and, on film, performances by the late Sapporo based dancer Yoko Muronoi.
THE LEGEND OF THE STARDUST BROTHERS (1985) with Q&A from director Macoto Tezka – England Premiere
Rocky Horror meets Phantom of the Paradise with a long-lost 80s Japanese rock-musical featuring zombies, animation and much more, directed by Macoto Tezka, the son of the “Godfather of Manga” OSAMU TEZUKA!
Presented in a brand new digital remaster and never before seen director’s cut!
This May Zodiac Film Club invites you to come in out of the sun and watch one of the original J-horrors with us. Takashi Miike’s Audition (1999) tells the story of Aoyama (Ryo Ishibashi), a widower who holds a fake audition for a made-up film role to pick a potential new wife out of the hopeful starlets. He’s delighted to meet the beautiful, talented, oh-so submissive and slightly damaged Asami (Eihi Shiina). We love it for its subtle (and less subtle) comments on gender dynamics, Asami’s perfectly picked ensembles and the fact that the rug is totally pulled out from under us in the final act.
Beginning with a shared love of horror, pulp, thrills and mystery, Sarah Kathryn Cleaver and Jordan Storm Louise set up the Zodiac Film Club. You can expect carefully chosen screenings every month, a film for each sign. We select good looking films, complex female characters and our favourites in forgotten classics, cult and contemporary cinema to share with you, and invite you to talk about it with us afterwards.
HARUMI SHUHAMA the “POM” star of ONE CUT OF THE DEAD, will be in attendance for a one-off screening plus after-talk at the Prince Charles Cinema on Friday, July 12th
The film opens in a run-down, abandonad warehouse where a film crew are making a zombie film… Yet, this is no ordinary warehouse. It’s been said that it’s the site of where military experiments took place… Out of nowhere, real zombies arrive and terrorize the crew!
This may sound like a the plot of a clichéd zombie film, but One Cut of the Dead is something completely different! Starting off with a non-stop one-take 37 minute shot, the film then completely switches direction and turns the zombie genre completely upside down into a charming, audience-friendly comedy!
Very pleased to welcome musician, singer, songwriter and filmmaker, Tujiko Noriko to OTO for a special matinee performance followed by an evening screening of her and Joji Koyama’s new film ‘Kuro’ at Close-Up, following the release of Noriko’s soundtrack for the film’s release on PAN Records.
“..a singular and impressively accomplished work of art.” – Christopher Bourne in Screen Anarchy
“hypnotic and meditative, Kuro is a daring work of cinematic literature.” – David Shrev
Japanese animation has embraced robotics, cybernetics and artificial intelligence as major themes. More interestingly, it uses these themes to explore complex moral and social questions: humanity’s responsibility for its actions, response to the other, greed, short-termism, failure to care for the ecosystem that sustains us.
This anime film season examines the challenge of the man-machine interface through eight films, running 12 – 30 September, on various aspects of humanity’s response to technological change.
All films will screen in Japanese with English subtitles.
Anime’s Human Machines is an Official Event of the Japan-UK Season of Culture 2019-2020, presented by the Barbican in association with the Japan Foundation, and has been kindly supported by Wellcome and The Great Britain Sasakawa Foundation.
This year’s festival will be held at the Barbican Centre, Close-Up Film Centre and MetFilm School from Friday 20 September through Sunday 22 September. JAEFF 2019: Nation will see five feature-length films screened alongside seven short-form films. We will again be hosting a panel discussion at the Barbican, and are very excited to announce a free filmmakers’ workshop at the MetFilm School.
The Daiwa Anglo-Japanese Foundation is delighted to host Hiroe Saeki’s first UK solo show.
Hiroe Saeki’s work inhabits a liminal zone on the edges of the perceivable: monochromatic explorations of the subject of beauty in nature, delicate drawings with a weightless quality, sparse compositions evoking traditional aesthetics. Like a photograph, the totality of the artwork and the detail are valued equally.
The void is inherent in her work, allowing the microscopic and macroscopic viewpoint to coexist. Thus her chosen tool is the pencil: ephemeral because it can be erased, fluid because it is undefined, emancipating because there is no outline to follow.
In this exhibition, she presents a new body of work with graphite and water. The powdered graphite travels through capillaries of water: settling where and when the water evaporates, to be absorbed by the land of paper. The resulting surfaces recall water-carved planetary landscapes.
Saeki’s practice evokes associations with biological or mineral forms, such as geological sediments. Exquisite, miniscule lines take us to the nano level of the cellular structure of organisms. Combined with the serendipitous nature of her new graphite process, they take on a sense of the cosmic. This new work coalesces her vision of the world into a yearning to interconnect with the universe at all its scales.
Monday – Friday 9.30AM – 5PM
Hiroe Saeki (b. 1978, Osaka) currently lives and works in Berlin. Notable exhibitions include: Abstract and Empathy, Pola Museum, Tokyo 2019; Visions of Exchange: Daimler Contemporary, Berlin 2018; It’s Our Permanent Collection!, Hara Museum of Contemporary Art, Tokyo 2016; Now Japan, Kunsthal KAdE, Amersfoort 2013 and the 242nd Summer Exhibition, Royal Academy of Arts, London 2010. Awarded Grants include: POLA Art Foundation Program of Overseas Study 2014; Daimler Foundation, Artist-in-residence Berlin 2010 and The VOCA Encouragement Prize in 2006. Collections: MoMA, New York; The Daimler Art Collection; Deutsche Bank; Doron Sebbag; Hara Museum of Contemporary Art, Tokyo; Miniature Museum (Netherlands); Toyota Art Collection; The UBS Art Collection.
Image credits: Untitled 2019, Pencil and graphite and acrylic and acrylic ink and Japanese ink on paper, 39x54cm © Hiroe Saeki