Submissions welcome! Japan-related event in London to add? Just click the green ‘+ Post Your Event’ button. It’s free, & easy to do.
Anno’s Journey: the World of Anno Mitsumasa Exhibition at Japan House London
This exhibition explores the work of Anno Mitsumasa, one of Japan’s greatest children’s book illustrators and authors, who is best known for his picture books, with few or no words, published from the late 1960s onwards. The display illustrates the story of Anno Mitsumasa’s life and creative journey, features a reading library with many of Anno’s 300 published books, introduces Japanese language for children and beginners, and explores Anno’s remarkably varied work.
Additionally, the Embassy of Japan will host a more extensive exhibition of Anno’s landscape paintings in August-September.
*Opening hours may vary depending on events, so please check our website on the day of your visit
The first showing of the Japanese artist Erika Kobayashi in the UK. The exhibition explores her family history strangely intertwined with the discovery of uranium, radioactivation, invention of atomic bomb, and Sherlock Holmes.
Erika Kobayashi is a singular artist: she moves seamlessly to and from a wide range of media for her creation; manga, novels and visual art, always with strong messages to convey. The themes across her media of choice stay constant — things that are invisible, time, history, family, memory, and traces of places — but she treats the core concept with distinctive approaches for each medium in ways that can be only done with that particular medium. A natural story teller, in manga and novel the artist builds the case with layers and webs of relatable anecdotes, often conjuring up space and time, slowly drawing in the readers and makes the point. In visual art Kobayashi is more direct, almost confronting audience with bold images that lay out the issues in front of them and ask questions; it is all about the power of image.
Curated by Hikotaro Kanehira, the upcoming exhibition comprises photographies, short video, drawings and other materials that feature short stories. But again, it is the eclectic mix of media and unusual combination of photographic and video images, figurative drawings and verses, that construct Kobayashi’s unparalleled universe that is also a peculiar amalgam of what are loosely defined as ‘art’ and a wide scope of popular culture, which may be a mirror image of what we are in today’s world.
Erika Kobayashi “In My Hand— The Fire of Prometheus”, 2019 C-print 43.2cmx35.6cm © Erika Kobayashi, Courtesy Yutaka Kikutake Gallery, Photo: Kasane Nogawa
Erika Kobayashi (b.1978, Tokyo)
lives and works in Tokyo.
Recent solo exhibitions: “1F in the Forest of Wild Birds” Yutaka Kikutake Gallery, Tokyo (2019), “Trinity” Karuizawa New Art Museum, Nagano (2017). Group exhibitions include: “Image Narratives: Literature in Japanese Contemporary Art” The National Art Center, Tokyo (2019), “Women Imagining Rooms: About the Diary of Lady Sarashina” Ichihara Lakeside Museum, Chiba (2019), “Roppongi Crossing 2016: My Body, Your Voice,” Mori Art Museum, Tokyo (2016); “Living Locally –Reconsidering Critical Regionalism,” ARTS MAEBASHI (2015), “Your Dear Kitty, the book of Memories,” collaboration with The Future, Lloyd Hotel and JCC, Amsterdam (2015), and “The Radiants,” Bortolami Gallery, New York (2015). Residency with the Asian Cultural Council, NYC (2007-2008).
Nominated for the major literature awards including Mishima Yukio Award and Akutagawa Award both in 2014 for her novel “Breakfast with Madame Curie”. Other publications include: “Hikari no kodomo LUMINOUS (Children of Light: Luminous)” volume 1 and 2, (2013 and 2016) “Your Dear Kitty” (2011).
Kobayashi’s father is a psychiatrist and a Sherlockian, Tsukasa Kobayashi.
Yamamoto Keiko Rochaix
19 Goulston St, London, E1 7TP
Visit the website
Introduction by Bryony Dixon (BFI)
A screening of Japanese director Yasujiro Ozu’s silent gangster filmWalk Cheerfully with specially composed score by Japanese music specialist Clive Bell and renowned improviser Sylvia Hallett, performed live by the benshi Tomoko Komura.
The silent films screened in Japan from the 1920s to late 30s were never completely silent. Katsudo-shashin benshi, or benshi for short, were voice performers, who delivered live narration that provided everything an audience might need to appreciate a film by enacting characters in a theatrical manner (playing multiple roles with a variety of voices) while sitting or standing beside the movie screen.
Although known for the minimalism of his later work Ozu (Tokyo Story) had grown up devouring Hollywood movies. This is a delightful Tokyo spin on a classic gangster tale of Kenji (aka Ken the Knife) a thief who likes drinking and fighting. When he falls in love with sweet and simple Yazue, and she finds out what kind of man he really is, she leaves him ‘until he becomes an honest person’. But it is not easy to get rid of one’s past.
Kenji’s underworld adventures and doomed attempts at going straight accompanied here by expressive word, gesture and music, courtesy of benshi Tomoko Komura and musicians Clive Bell and Sylvia Hallett.
A panel discussion and Q&A led by Bryony Dixon will take place after the screening.
Name: Walk Cheerfully film screening
The British Library
96 Euston Road
Tue 15 Oct 2019, 19:00 – 20:30
Full Price: £13.00
Senior 60+: £11.00
Registered Unemployed: £6.50
Under 18: £6.50
+44 (0)1937 546546
“This project is named Yū (幽) / phantom.
Yū is Japanese special sensitivity, it’s means like “faintly”, “fleeting”, “airy”, “vaguely”. It’s be understood by Japanese people as also “ghost”, “apparition”, “phantom”.
This performance depicts two Japanese goddesses, one phantom, and one modern woman, by dance of Misuzu and the music of Shin’ichi Isohata and Naoyo Yakushi.
Many of the origins of religion in all world were goddess faith. God or monster has the back and front faces that are intrinsic as same as humans (although I think originally God should not be such an existence..). Every existences have good and evil, and also there has sadness in the bottom of the heart. However, sometime the sadness might be become to mercy or hope. Music wander between reality and mythology with abstract, minimal sound, and Japan sensitivities etc… for realizing the true happiness in heart.” – Shin’ichi Isohata